From the magazine:
Warhol’s importance as a symbol is immense. He is not just famous; he has been a dominant influence on many of the most successful artists today, including Jeff Koons (see article), Damien Hirst, Takashi Murakami and Richard Prince. He redefined the role of the artist as a “creative director”—more of an architect than a craftsman—who is acutely aware of the media resonance of his art. “In future Warhol will be much more important than Picasso,” says Gerard Faggionato, a London dealer, “because he is more relevant to the younger generation.”Is this right? Pittsburgh may have a pocket of weirdness at the Warhol that beats all pockets of weirdness anywhere.
1 comment:
starf#@kery is not weird, imo. too much effort - too much affectation.
speaking of affectation, i'll suggest the weirdest thing about pittsburgh comes from the mouths of hardcore yinzers. it's not just weird, it's ugly-weird and a sort of quasi-socioeconomic verbal secret handshake.
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